Griffo’s design was lighter and more harmonious in weight than earlier romans. Text set in the face was also more inviting and easier to read than previous designs. Three years later, the basic font was enhanced by the introduction of a suite of corresponding capital letters. (Hat Tip: Fonts.com)
Thursday, 15 January 2009
I know your Type #2 Bembo
The history of Bembo originates in Venice, an important typographic center in 15th and 16th century Europe. Many printers established businesses in Venice at this time, but none so significant as Aldus Manutius. Next to Gutenberg, Aldus was perhaps the most influential printer of the Renaissance and the first of many great scholar-printers. Late in the 15th century, Aldus published a relatively insignificant essay by the Italian scholar Pietro Bembo. The type used for the text was a new design commissioned by Aldus and cut by Francesco Griffo, a goldsmith-turned-punchcutter.
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